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One Thousand White Women

Cover of One Thousand White Women

One Thousand White Women

The Journals of May Dodd
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One Thousand White Women is the story of May Dodd and a colorful assembly of pioneer women who, under the auspices of the U.S. government, travel to the western prairies in 1875 to intermarry among the Cheyenne Indians. The covert and controversial "Brides for Indians" program, launched by the administration of Ulysses S. Grant, is intended to help assimilate the Indians into the white man's world. Toward that end May and her friends embark upon the adventure of their lifetime. Jim Fergus has so vividly depicted the American West that it is as if these diaries are a capsule in time.

One Thousand White Women is the story of May Dodd and a colorful assembly of pioneer women who, under the auspices of the U.S. government, travel to the western prairies in 1875 to intermarry among the Cheyenne Indians. The covert and controversial "Brides for Indians" program, launched by the administration of Ulysses S. Grant, is intended to help assimilate the Indians into the white man's world. Toward that end May and her friends embark upon the adventure of their lifetime. Jim Fergus has so vividly depicted the American West that it is as if these diaries are a capsule in time.

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  • Copyright © 1998 by Jim Fergus. All rights reserved.

    For information, address St. Martin's Press, 175 Fifth Avenue, New York, N.Y 10010.


    Bird drawings by Loren G....

    NOTEBOOK I

    A Train Bound for Glory

    "Frankly, from the way I have been treated by the so-called 'civilized' people in my life, I rather look forward to residency among the ravages."

    (from the journals of May Dodd)

    [NOTE: The following entry, undated, appears on the first page of the first notebook of May Dodd's journal.]



    I leave this record for my dear children, Hortense and William, in the event that they never see their loving mother again and so that they might one day know the truth of my unjust incarceration, my escape from Hell, and into whatever is to come in these pages ...

    23 March 1875

    Today is my birthday, and I have received the greatest gift of all—freedom! I make these first poor scribblings aboard the westbound Union Pacific train which departed Union Station Chicago at 6:35 a.m. this morning, bound for Nebraska Territory. We are told that it will be a fourteen-day trip with many stops along the way, and with a change of trains in Omaha. Although our final destination was intended to have been concealed from us, I have ascertained from overhearing conversations among our military escort (they underestimate a woman's auditory powers) that we are being taken first to Fort Sidney aboard the train—from there transported by wagon train to Fort Laramie, Wyoming Territory, and then on to Camp Robinson, Nebraska Territory.

    How strange is life. To think that I would find myself on this train, embarking upon this long journey, watching the city retreating behind me. I sit facing backwards on the train in order to have a last glimpse of Chicago, the layer of dense black coal smoke that daily creeps out over the beach of Lake Michigan like a giant parasol, the muddy, bustling city passing by me for the last time. How I have missed this loud, raucous city since my dark and silent incarceration. And now I feel like a character in a theater play, torn from the real world, acting out some terrible and as yet unwritten role. How I envy these people I watch from the train window, hurrying off to the safety of their daily travails while we are borne off, captives of fate into the great unknown void.

    Now we pass the new shanties that ring the city, that have sprung up everywhere since the great fire of'71. Little more than cobbled-together scraps of lumber they teeter in the wind like houses of cards, to form a kind of rickety fence around the perimeters of Chicago—as if somehow trying to contain the sprawling metropolis. Filthy half-dressed children play in muddy yards and stare blankly at us as we pass, as if we, or perhaps they, are creatures from some other world. How I long for my own dear children! What I would give to see them one last time, to hold them ... now I press my hand against the train window to wave to one tiny child who reminds me somehow of my own sweet son William, but this poor child's hair is fair and greasy, hanging in dirty ringlets around his mud-streaked face. His eyes are intensely blue and he raises his tiny hand tentatively as we pass to return my greeting ... I should say my farewell ... I watch him growing smaller and smaller and then we leave these last poor outposts behind as the eastern sun illuminates the retreating city—the stage fades smaller and smaller into the distance. I watch as long as I can and only then do I finally gain the courage to change seats, to give up my dark and troubled past and turn around to face an uncertain and terrifying future. And when I do so the breath catches in my throat at the immensity of earth that lies before us, the prairie unspeakable in its vast, lonely reaches. Dizzy and faint at the sight of it, I feel as if the...

About the Author-
  • Jim Fergus is the author of One Thousand White Women, The Sporting Road, A Hunter's Road and Wild Girl. His articles and essays have appeared in a wide variety of national magazines and newspapers, including Newsweek, Newsday, The Paris Review, Esquire, Sports Afield, and Field & Stream. Fergus was born in Chicago and attended Colorado College. He worked as a teaching tennis professional before becoming a full-time freelance writer. He lives in southern Arizona.
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